The United Nations says more than one million Syrians are now refugees. That means nearly one out of every 22 citizens have fled for safety.
The news come as the country approaches the second anniversary of its civil war.
The U.N.'s refugee agency tweeted this picture after announcing the alarming new number. It says, "Meet Bushra, the millionth registered refugee from Syria."
The sign in her hands says, "One in a million." It's a reminder of the many, many others who share her desperate situation.
She also holds a small child. The U.N. says around half of the refugees are children. Most are under the age of eleven. It's hard to imagine the things they have seen and experienced in their young lives.
As Syria's deadly conflict grinds on, more and more people are making the difficult decision to seek shelter in another country. The UNHCR notes, "They arrive traumatized, without possessions and having lost members of their families."
The U.N. estimated there would be 1.1 million refugees by the end of June. But more than 400,000 Syrians have fled their homes since the start of 2013. And it's only March.
Ongoing violence and shelling - just one of many challenges facing the World Food Programme in Syria.
"Our food trucks have been attacked, we've seen rising number of attacks on trucks in various areas in the country," WFP Executive Director Ertharin Cousin tells me.
"The reality is we have conversations with everyone - the opposition side and the regime side to ensure that everyone recognizes we are not favoring one community over the other. Our goal is that we get assistance to every community."
The medium is decidedly low-tech, and known more for depicting sunsets than civil war.
But British artist George Butler turned to watercolor to document life during wartime in Azaz, Syria.
His subject matter includes a child posing on a destroyed tank, a bread line outside a bakery, and a rebel-run prison - its thick bars and large metal lock in full focus.
"I felt like I was an intruder," says Butler about creating the image of the prisoners. "It's an odd feeling, to draw people you don't know... essentially in a cage, and sitting so compliantly."
Powerful images of the human conflict inside Syria have been taken by photojournalists like Robert King. But what can a water colorist capture in a war zone?
"Time lapse is a great advantage," says Butler. "The idea is not to compete with photographers, but to offer something different by sitting on the street, and getting to know what you're drawing for an hour."
The young artist advances the heritage of traditional artists working in hostile environments, such as the war artists in World War II who worked in oils or pen and ink like John Nash or Ronald Searle.
Butler says the medium is even more relevant today because it stands out from the massive trove of modern-day war video and photography now available online.
And it's true. In the era of YouTube and Bambuser, his watercolors offer an entirely new perspective of life inside Syria.